“Did he ask me to write a song with him? I didn’t take that seriously. We’d had a few pints.” The night Pearl Jam’s Eddie Vedder partied ’til dawn with Bob Dylan in an Irish bar


The list of performers assembled at New York’s storied Madison Square Garden on October 16, 1992, to celebrate Bob Dylan‘s 30 year recording history was a testament to the iconic singer/songwriter’s legendary status. Superstars such as Stevie Wonder, George Harrison, Neil Young, Eric Clapton, Lou Reed, Tom Petty and Johnny Cash were among those paying tribute to Dylan’s influence by covering classic and deep cuts from his catalogue, with a handful of younger artists – Sinead O’Connor, Tracy Chapman and Pearl Jam‘s Eddie Vedder and Mike McCready among them – also stepping up to pay their respects to one of the most acclaimed musical artists of all time.

For their salute to Dylan, the Pearl Jam duo elected to cover Masters of War, from 1963’s The Freewheelin’ Bob Dylan, his second studio album. Interviewed by MTV at rehearsals for the show, Vedder and McCready gave the reasons for their choice, stating that the song was still “relevant” almost thirty years after it was written.

“It’s a scathing indictment against conservative war-mongering and of people that are in power,” McCready explained, “and now that we have our wonderful President George Bush it’s a good time to play this.”

Eddie Vedder also expressed his hope that the duo’s participation in the concert might lead younger fans to discover Dylan’s work for themselves.

“Certain pieces of art are timeless,” he said. “And if somebody even hears that we played it and goes, ‘I wonder who Bob Dylan is?’ and maybe goes into their parents’ record collection and pulls out something, I mean, that’s cool, they could be hooked for at least a few weeks on another kind of music that helped form what’s being done now.”

In the liner notes for The 30th Anniversary Concert Celebration, a double album commemorating the evening, released on August 24, 1993, Vedder and McCready’s acoustic performance was described as “riveting” and “arguably the evening’s most pleasant surprise.”

“These two young Dylan fans didn’t need any loud Seattle sonics to get across Dylan’s pointed protest classic,” it stated. “Vedder, who blissfully watched rehearsals for the concert from the front row of a nearly empty Madison Square Garden, proved with his wonderfully intense interpretation that when it comes to a great song, there’s no such thing as a generation gap.”



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